 ... the part of the reader; from the rapid flow, the quick change, and the playful nature of the thoughts and images; and, above all, from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those...  The Athenaeum and Literary Chronicle - Page 1791829Full view - About this book
 | Samuel Taylor Coleridge - 1864 - 772 pages
...detraet from the pleasure of a delieate mind, yet never was poem less dangerous on a moral aeeount. Instead of doing as Ariosto, and as, still more offensively,...passion into appetite, the trials of love into the struggles of eoneupiseenee ; — Shakspeare has here represented the animal impulse itself, so as to... | |
 | Samuel Taylor Coleridge - English drama - 1883 - 544 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...passion into appetite, the trials of love into the struggles of concupiscence, Shakspere has here represented the animal impulse itself, so as to preclude... | |
 | William Shakespeare - 1883 - 972 pages
...uticr aloofness of the Poet's own feelings, from those of which lie is at once the painter and the analyst; that though the very subject cannot but detract from the pleasure of a delicate mind, vet never was poem less dangerous on a moral account. fnsiond of doing as Ariosto. and as, still more... | |
 | William Shakespeare - English drama - 1883 - 596 pages
...the utter aloofness of the Poet's own feelings, from those of which he is at once the painter and the analyst; that though the very subject cannot but detract from the pleasure of a delicaie mind, yet never was poem less dangerous on a moral account. Instead of doing as Ariosto, and... | |
 | Samuel Taylor Coleridge - Criticism - 1884 - 482 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst ; that though the very subject cannot but...and as, still more offensively, Wieland has done; mstead of degrading and deforming passion into appetite, the trials of love into the struggles of concupiscence,... | |
 | William Shakespeare - 1884 - 424 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, — that though the very subject cannot but...never was poem less dangerous on a moral account." * Coleridge, in the preceding chapter of his Literary Life, says : " During the first year that Mr.... | |
 | William Shakespeare - 1887 - 596 pages
...the utter aloofness of the Poet's own feelings, from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...doing as Ariosto, and as, still more offensively, Wie!and has done; instead of degrading and deforming passion into appetite, the trials of love into... | |
 | William Shakespeare - 1890 - 432 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, — that though the very subject cannot but...never was poem less dangerous on a moral account."* Coleridge, in the preceding chapter of his Literary Life, says : " During the first year that Mr. Wordsworth... | |
 | Samuel Taylor Coleridge - Aesthetics - 1891 - 484 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...and as, still more offensively, Wieland has done; .•nstead of degrading and deforming passion into appetite, the trials of love into the struggles... | |
 | Edward Tompkins McLaughlin - Criticism - 1893 - 288 pages
...the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst, — that though the very subject cannot but...doing as Ariosto, and as, still more offensively, Weiland has done ; instead of degrading and deforming passion into appetite, the trials of love into... | |
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