Laura Ingalls Wilder, Farm Journalist: Writings from the Ozarks

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University of Missouri Press, 2007 - Biography & Autobiography - 330 pages

Before Laura Ingalls Wilder found fame with her Little House books, she made a name for herself with short nonfiction pieces in magazines and newspapers. Read today, these pieces offer insight into her development as a writer and depict farm life in the Ozarks—and also show us a different Laura Ingalls Wilder from the woman we have come to know.

This volume collects essays by Wilder that originally appeared in the Missouri Ruralist between 1911 and 1924. Building on the initial compilation of these articles under the title Little House in the Ozarks, this revised edition marks a more comprehensive collection by adding forty-two additional Ruralist articles and restoring passages previously omitted from other articles.

Writing as “Mrs. A. J. Wilder” about modern life in the early twentieth-century Ozarks, Laura lends her advice to women of her generation on such timeless issues as how to be an equal partner with their husbands, how to support the new freedoms they’d won with the right to vote, and how to maintain important family values in their changing world. Yet she also discusses such practical matters as how to raise chickens, save time on household tasks, and set aside time to relax now and then.

New articles in this edition include “Making the Best of Things,” “Economy in Egg Production,” and “Spic, Span, and Beauty.” “Magic in Plain Foods” reflects her cosmopolitanism and willingness to take advantage of new technologies, while “San Marino Is Small but Mighty” reveals her social-political philosophy and her interest in cooperation and community as well as in individualism and freedom. Mrs. Wilder was firmly committed to living in the present while finding much strength in the values of her past.

A substantial introduction by Stephen W. Hines places the essays in their biographical and historical context, showing how these pieces present Wilder’s unique perspective on life and politics during the World War I era while commenting on the challenges of surviving and thriving in the rustic Ozark hill country. The former little girl from the little house was entering a new world and wrestling with such issues as motor cars and new “labor-saving” devices, but she still knew how to build a model small farm and how to get the most out of a dollar.

Together, these essays lend more insight into Wilder than do even her novels and show that, while technology may have improved since she wrote them, the key to the good life hasn’t changed much in almost a century. Laura Ingalls Wilder, Farm Journalist distills the essence of her pioneer heritage and will delight fans of her later work as it sheds new light on a vanished era.

From inside the book

Contents

A Note on the Text
11
1916
48
Whats in a Word
96
Copyright

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About the author (2007)

Wilder was born near Pepin, Wisconsin; attended school in DeSmet, South Dakota; and became a teacher before she was 16, teaching for seven years in Dakota Territory schools. She and her husband, Almanzo Wilder, farmed near DeSmet for about nine years and then moved to Mansfield, Missouri, where they lived out the rest of their days. Wilder did not write her first book, Little House in the Big Woods, about her early years in Wisconsin, until late in life, on the urging of her daughter, Rose Wilder Lane. It was first published in 1932. She followed this with Farmer Boy (1933), a book about her husband's childhood in New York State. She then completed a series of books about her life as she and her family moved westward along the frontier. Little House on the Prairie (1935) records the family's move to Kansas. On the Banks of Plum Creek (1937) describes the family's move to Minnesota. By the Shores of Silver Lake (1939) records the family's move to South Dakota, as do the final three books in the series: The Long Winter, Little Town on the Prairie (1941), and These Happy Golden Years (1943), which ends with her marriage to Almanzo Wilder. Three of Wilder's books were published posthumously: On the Way Home, a diary of her trip to Mansfield; The First Four Years, an unfinished book about her first four years of marriage; and West from Home, letters she wrote on a visit to her daughter in San Francisco, none of them up to the quality of her earlier books. At her best, Wilder employs a clear, simple style, a wealth of fascinating detail, and a straightforward narrative style. Her tales of a strong, traditional frontier family that endures the hardships of the late eighteenth century are seen through the eyes of a child, which endears them to young readers. Her work is possibly the best example of historical realistic fiction for children.

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