Making Sense of ShakespeareThis study undertakes to bring Shakespearean scholars and students alive to reading the plays and poetry with a much higher engagement of physical sense, body, and sense imagination than that to which we are usually accustomed. It builds upon a broadly based investigation of scientific literature concerning bodily perceptions and responses. Making Sense of Shakespeare also demonstrates its approach to reading and provides practical suggestions for students and teachers in pursuing sense reading. |
Contents
Preface | 9 |
Note on Shakespeares Text | 19 |
Abstract and Concrete Senses in Shakespeare | 21 |
SenseReading Shakespeares Sounds | 41 |
SenseReading Shakespeares Nonvisual Images | 51 |
Resistance to Shakespearean SenseReading | 60 |
Further Contexts of Resistance to Shakespearean SenseReading | 76 |
Working Beyond Resistance | 105 |
Undermind Shakespeare SenseReading as SelfShaping and PlayShaping | 117 |
Practice | 127 |
SenseReading in the Classroom | 148 |
Conclusion Walking Westward | 164 |
Notes | 168 |
187 | |
203 | |
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Common terms and phrases
abstract action activity aesthetic affect appeals associated attention become behavior bodily body breath changes character cognition concrete connection course criticism cultural Dream embodied emotion energy engagement English example experience explore expression fear feel forms functions give Hamlet hand hear heart hope human imagery images imagination internal interpretation Introduction John Juliet kinesthetic language Lear literary literature live London look Louise Rosenblatt Macbeth meaning meet memory mind move movements Music nature one's organ passage patterns perception performance perhaps persons physical play poetry practice produce Psychology readers reading relations resistance response rhythms Romeo scene seems sensations sense sense-reading sensory Shake Shakespeare social somatic sounds speak speech suggest teachers teaching thee Theory thou thought tion touch University Press verse visual Witch York